This performance will feature:
Susan Demetris, violinAntonio Vivaldi – “Summer (L’estate)” from The Four Seasons (Le Quattro stagioni), Op. 8, No. 2
- Concerto No. 1 in E Major, Op. 8, RV 269, "La primavera" (Spring)
- Allegro
- Largo
- Allegro Pastorale
- Allegro
- Concerto No. 2 in G Minor, Op. 8, RV 315, "L'estate" (Summer)
- Allegro non molto
- Adagio e piano - Presto e forte
- Presto
- Allegro non molto
- Concerto No. 3 in F Major, Op. 8, RV 293, "L'autunno" (Autumn)
- Allegro
- Adagio molto
- Allegro
- Allegro
- Concerto No. 4 in F Minor, Op. 8, RV 297, "L'inverno" (Winter)
- Allegro non molto
- Largo
- Allegro
- Allegro non molto
Hugo Alfven - Midsommarvarka (Mid Summer Vigil), Op. 19
Timing: 13’30- It was arranged and recorded as a finger style guitar solo in 1957 by American guitarist Chet Atkins, and became one of Atkins' best-known recordings.
- The original version of a popular song "Mah Nà Mah Nà" interpolates its melody.
- It is featured in The Simpsons episode Little Orphan Millie erroneously depicting Danish culture.
- The melody has been used on ice cream vans in some parts of the United Kingdom.
- The melody is used throughout The Wiggles Big Big Show.
- It is featured in the film Matchstick Men.
- An arrangement, formed from a couple of bars, was used as the interval signal for a German language numbers station as recently as 2009. As a result, the station is known as the "Swedish Rhapsody" station.
Anton Webern – Im Sommerwind (In the Summer Wind)
Timing: 14’48
Anton Webern (3 December 1883 – 15 September 1945) was an Austrian composer and conductor. He was a member of the Second Viennese School. As a student and significant follower of Arnold Schoenberg, he became one of the best-known exponents of the twelve-tone technique; in addition, his innovations regarding schematic organization of pitch, rhythm and dynamics were formative in the musical technique later known as total serialism.
Richard Wagner – Ride of the Valkyries
Igor Stravinsky – The Rite of Spring
Timing: 33’
The Rite of Spring, original French title, Le sacre du printemps, is a 1913 ballet with music by the Russian composer Igor Stravinsky, original choreography by Vaslav Nijinsky, and original set design and costumes by archaeologist and painter Nicholas Roerich, all under impresario Serge Diaghilev. The music's innovative complex rhythmic structures, timbres, and use of dissonance have made it a seminal 20th century composition.

